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interesting. Seems it's a bit soft in the corners at focal lengths wider than about 50mm. But it looks inconsistent. Some of his examples (in the video) seemed OK, but others terrible. I've seen this sort of thing before with wide zooms which I've usually put down to IBIS effects. Of course, the IBIS is still active (just not compensating for movement) even if the camera is mounted on a tripod.
I guess I'm going to have to get my own copy and try it, but I'm downloading his example files now - all 10GB of it!
interesting. Seems it's a bit soft in the corners at focal lengths wider than about 50mm. But it looks inconsistent. Some of his examples (in the video) seemed OK, but others terrible. I've seen this sort of thing before with wide zooms which I've usually put down to IBIS effects. Of course, the IBIS is still doing its stuff even if the camera is mounted on a tripod.
I guess I'm going to have to get my own copy and try it, but I'm downloading his example files now - all 10GB of it!
To my knowledge, IBIS should always be turned off if the camera is mounted on a tripod. That was certainly always the recommendation in my Pentax days.
To my knowledge, IBIS should always be turned off if the camera is mounted on a tripod. That was certainly always the recommendation in my Pentax days.
interesting. Seems it's a bit soft in the corners at focal lengths wider than about 50mm. But it looks inconsistent. Some of his examples (in the video) seemed OK, but others terrible. I've seen this sort of thing before with wide zooms which I've usually put down to IBIS effects. Of course, the IBIS is still active (just not compensating for movement) even if the camera is mounted on a tripod.
I guess I'm going to have to get my own copy and try it, but I'm downloading his example files now - all 10GB of it!
Well, I've taken a good look at the samples. Unfortunately they are JPEGs not raws (so they'll have in-camera sharpening applied), but c'est la vie. Applying CA correction and fringing correction they are actually not bad at all, even at 20mm. At f8 or f11, the edges are acceptable with the corners just a little behind. I think it could work for me. As Mads says though, the edge performance from 50-200 is certainly better than at the wider end. But even at 20mm, the results are far better than anything I've seen on any of the three 28-200 Lumix lenses I tried.
Compared to the Tamron 28-200, it seems very close to me. In fact, I think the Sigma deals with flare better:
Based on these samples, I'l definitely be trying one out!